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Could YOU Have Published a Book in the Roman Empire? Probably Not

  • Writer: henrydaviscc
    henrydaviscc
  • Jul 9
  • 18 min read

Updated: 25 minutes ago


Ancient texts did not survive because they were written. They survived because people with money, scribes, libraries, and power kept them alive. The same problem applies to how early Christian texts were written and preserved.



A reading from Homer by Lawrence Alma Tadema

Writing a book in the Roman Empire was hard. Getting it into circulation was harder. That may sound obvious, but ancient texts are often discussed as if they simply appeared. Someone wrote a history, a speech, a biography, a poem, a philosophical essay, a legal opinion, a letter collection, or a religious text. Then someone copied it, someone preserved it, and somehow there it is: in a manuscript tradition, in a library catalogue, in a modern translation. But the actual process is rarely discussed, and that "somehow" is doing far too much work.


In the Roman world, there was no printing press, no publisher's warehouse, no paperback edition, no online shop, and no public library system in the modern sense. A text did not enter the world just because an author finished writing it. It entered the world if people with the right skills, materials, money, time, and contacts made that happen. So the question we need to ask more often is not only, who wrote this, but who could publish it?


What 'Publication' Meant Before Print


By "publish", I do not mean anything like modern publication. Ancient publishing was not one clean event. It was a process. A text might be read aloud among friends, copied by a slave or a hired scribe, sent to a patron, placed in a private library, borrowed, copied again, quoted, praised, attacked, suppressed, or quietly ignored. A text survived because enough people with access to the tools of writing wanted it to survive. And those tools were not available to everyone.


Ancient writing tools
1st century wall paintings from Pompeii showing various writing tools. Now kept in the The National Archaeological Museum of Naples.

For elite authors, publication often began in private. They gathered with people like themselves and read work aloud before an educated audience. These readings were a normal way to test ideas, sharpen style, and see how a piece landed before it moved any further.


The Discourse by Lawrence Alma Tadema
The Discourse by Sir Lawrence Alma-Tadema

Who Could Read, Who Could Write?


Professor William V. Harris, in Ancient Literacy, made the basic point bluntly: the Greek and Roman world did not have mass literacy. Reading and writing existed, of course, and in some places they existed at a high level. But they were not spread evenly through the population. They were concentrated among the educated, the urban, the wealthy, administrators, scribes, and the socially ambitious. As he puts it on p. 337, “The written culture of antiquity was in the main restricted to a privileged minority...


Most people simply did not have the training or opportunity to produce long written works, let alone books. Harris makes the wider point early in the book. Looking at how literacy spread in later European societies, he notes that mass literacy only appears when certain conditions are in place. Writing stops being something only a small elite can do, he explains, “only when certain preconditions are fulfilled and only when strong positive forces are present to bring the change about.” In the Greco-Roman world, those conditions were never met. He concludes on pages 11–12 of Ancient Literacy:


Some of the vital preconditions for wide diffusion of literacy were always absent in the Graeco-Roman world, and that no positive force ever existed to bring about mass literacy.

Harris also spells out what has to exist before reading and writing become common. Written material has to be easy to obtain and widely available. There has to be a broad network of schools that ordinary people can attend without cost. People must actually need literacy for work or daily life. Reading and writing must offer a real chance of improving someone's social position. Finally, there has to be some strong religious, political, or ideological pressure pushing ordinary people to learn to read for themselves, not merely to hear texts read by priests, teachers, or scribes. Harris’s point is not that religion automatically creates literacy. A society can put sacred texts at the centre of religious life while still leaving reading, writing, and copying in the hands of a small trained minority.


None of these conditions were in place in the ancient world.


Most people could not write books. Many could not read them. And even among those who could read and write, only a smaller group could write long, carefully structured works in Greek or Latin.


That matters. Being able to sign a name, read a notice, or dictate a business document is not the same thing as producing a polished narrative, a history, a theological argument, or a literary letter collection. We would not confuse signing a form today with writing a legal textbook. The ancient world did not confuse those things either.


Professor Catherine Hezser’s work on Jewish literacy in Roman Palestine makes the point sharper. In rural areas, literacy was very low. Towns and cities did better, but even there reading and writing remained restricted. The people most likely to handle texts were scribes, administrators, teachers, priests, wealthy families, and those trained for specialised work. In her book Jewish Literacy in Roman Palestine, she writes on p. 496 that:


"...it is quite reasonable to assume that the Jewish literacy rate was well below the 10-15 percent (of the entire population, including women) which Harris has estimated for Roman society in imperial times..."

That gives us a figure of roughly 5-6 percent, perhaps even lower.


So when we imagine ancient communities producing literature, we have to be careful. A community may preserve stories, teach orally, sing, preach, argue, remember, and repeat. But turning all of that into a complex written text is another matter. That requires trained writers, keeping it preserved and in circulation requires even more. It requires copies.


Books Needed Money, Labour, and Friends


Copies were not cheap, and every book had to be made by hand. If you wanted a text, someone had to copy it. You might copy it yourself, if you had the training and patience. You might have a slave do it, if you were wealthy enough to own trained slaves. You might hire a scribe, borrow a copy from a friend and have another copy made, or acquire one through a dealer.


Professor George Houston’s work on Roman libraries is useful because it takes us inside this practical world of book collections. Books moved through friends, patrons, household staff, book dealers, slaves, scribes, and collectors. Cicero borrowed books, and Atticus owned trained readers and scribes. Wealthy men could have texts copied inside their own households. Others had to rely on contacts.


That is a very different world from “a text was written and then circulated”. Circulated how? By whom? At whose expense? Through which rooms, hands, shelves, bags, libraries, and friendships? These questions are not nitpicking. They are the historical questions that historians actually ask.


Ancient books were physical objects made from papyrus and vellum. They could be damaged by damp, insects, heat, bad storage, rough handling, or simple neglect. A text that was not copied died. A text copied badly changed. A text that no one valued could vanish within a generation.


Libraries Were Filters


This is where libraries come in, but we have to lose the modern picture. A Roman public library was not a branch library with open doors, children’s events, and a helpful photocopier near the desk. Roman libraries were part of elite culture. Some were private, some were attached to temples, some were civic monuments, and some were imperial. They displayed wealth, taste, memory, conquest, education, and power.


The Ulpian Library founded by Emperor Trajan


A “public” Roman library was not like a modern public library. The Bibliotheca Ulpia mainly served educated readers, officials, and people with status or connections.


The Ulpian Library
James Packer’s reconstruction of the south-west library in Trajan’s Forum, Rome. From Ancient Libraries, fig. 18.1.



The Villa of the Papyri contains the largest ancient surviving library


The Villa of the Papyri
Reconstruction of the Villa dei Papyri in Herculaneum, Italy by Rocio Espin for Ancient History Magazine. The villa was owned by the father in law of Julius Caesar, Lucius Calpurnius Piso Caesoninus. The villa's library contained over 1000 papyrus scrolls.

As Houston writes in Inside Roman Libraries: Book Collections and Their Management in Antiquity, when discussing the emperor's household staff:


the absence of senators in the libraries suggests that, in the Roman mind, these libraries were intended not so much for the use of people in general as for the internal working of the administration.”

The editors of Ancient Libraries, including Jason König, Katerina Oikonomopoulou, and Greg Woolf, make the point plainly: books were expensive and rare, and libraries played a central role in Greco-Roman intellectual life. That means they helped organise a world where books, readers, and authority gathered around wealth, office, education, and power.


Libraries were not just storage rooms. They were filters. They helped decide what was available, what was copied, what was consulted, what was quoted, and what educated readers remembered and passed on. A work that entered that world and passed its filters had a chance of survival. A work that did not could easily disappear. As Greg Woolf points out in Ancient Libraries, on pages 6–7, these institutions were not designed to educate the wider population. When writing about Rome, he says:


Making libraries public was about making the people of the city of Rome feel like aristocrats, not about emancipating the upwardly mobile or educating the masses...Ancient libraries were created by political and military power, and there is no sign that they powered the development of any kind of intellectual activity independent of it. The librarians of Alexandria and Rome alike were royal or imperial appointments. Most of those we know to have used these libraries were drawn from the ruling elites of the Empire.

This is why ancient literature should not be treated as a random sample of what ancient people thought. It is what made it through filters. Some of those filters were practical. Books required money, storage, and labour. Some of it was political. Access to archives, libraries, and the official record of the past could be controlled.


Publication Was Power


Roman writing was not above Roman power. The same society that produced histories, speeches, biographies, legal texts, philosophical works, and letters also had emperors, patrons, officials, informers, and punishments. Writing could be prestigious, but it could also be dangerous. A text could raise a reputation or damage one. It could praise the emperor, flatter a patron, defend a family, settle a score, keep someone’s version of events alive, or bury an enemy.


So the question "who could publish?" is also a question about power.


Who had the education?

Who had the scribes?

Who had the libraries?

Who had the friends?

Who had the protection?

Who had the motive to write?


Once we ask the question this way, a great deal of ancient literature looks different.

Take the major Roman writers whose works survive, for example: Pliny the Younger, Tacitus, and Suetonius. We do not treat their texts as voices from nowhere. They came from elite circles, wrote for educated readers, and their writings survived because these men had public positions, influential friends, social status, audiences, copyists, and later readers who cared enough to preserve them.


The same is true, in a different but related way, of the man known in history as Josephus. His works survived because they entered Greek literary circulation under Roman imperial conditions. Whatever else we say about him, his books did not survive because ordinary people casually passed them around. They survived because they entered a Roman elite world that could preserve them.


That point should not disappear when we turn to other texts from the same period: Jewish histories, philosophical works, biographies, letters, apocalyptic writings, and even early Christian literature.


The Problem of Early Christian Texts


Questions about how the New Testament writings were produced have been a hot topic of late, so it is worth talking about them. They were not produced in a separate universe. They belonged to this same Roman world, and they too required literacy, trained composition, copying, movement, storage, elite readers, people to hear them read aloud, and ways of preserving them. Saying that an apostle could have used a scribe does not solve that problem. It only raises the next question: who supplied the scribe, the materials, the money, and the storage? Nor can we point to first-century Christian archives, libraries, or storage rooms and say “this is where these writings were kept.” Saying “in believers’ houses” simply moves the problem into a house. Which houses? Who owned them? Who kept the copies safe? Who made sure they were copied again? House meetings may explain worship and teaching, but they do not automatically explain that process.


Gospel of John
Papyrus 52, a fragment of the Gospel of John. Usually dated to the early-mid 2nd century or possibly the late 1st - early 3rd century CE.

This does not mean ordinary believers did not matter, or that oral teaching did not matter. Communities could remember, repeat, preach, argue, and worship without producing literature. But oral activity is not the same thing as writing books.


Comparisons are often made here with Jewish text practices, especially the preservation of scripture in synagogues. But that comparison raises a problem rather than solving one. Jewish texts were preserved within practices that had existed for generations: public reading, recognised scribal roles, priestly authority, and identifiable places of gathering. For early Christianity in the mid-first century, that kind of activity and organisation is often assumed rather than actually shown.


House-based groups may explain worship, teaching, and belief, but they do not automatically explain the book production process and survival. In classical history, analogies are not replacements for evidence. They are starting points. If two traditions are said to work in the same way, we need to see the practical arrangements that made them alike.


This is where Professor Nina E. Livesey’s recent work becomes important. In The Letters of Paul in their Roman Literary Context, Livesey argues that the old view of the Pauline letters as real first-century correspondence has not been properly proved. There is no Roman archive saying, “Paul wrote Romans in the 50s”. There is no independent first-century writer confirming that a figure called Paul founded these communities. The case rests mainly on the letters themselves. They say they are from Paul to real communities, and scholars have often used those same letters to rebuild this figure's life, journeys, disputes, theology, and churches.


Livesey also argues that the disputes and concerns in the letters fit better with the second century than with the world of the 50s CE. Circumcision is one example. The letters repeatedly return to whether non-Jewish believers must live under Jewish law, a question that fits naturally with later arguments about whether Christianity should remain tied to Jewish scripture and practice.


Some critics reply that this asks too much, since many ancient religious figures are known only from sources inside their own tradition. But the Paul of the letters and Acts is not presented as a private believer in a tiny local group. He is presented as the great missionary to non-Jews, active across the eastern empire, involved with synagogues, civic authorities, governors, journeys, arrests, disputes, and communities. For a figure on that scale, the lack of outside evidence is a real problem. The issue is not that every ancient Christian needs pagan or Jewish confirmation before being allowed to exist. The issue is that the scale of this man's supposed activity creates an expectation of evidence, and that expectation is not met.


Livesey’s point is that this goes in a circle. The letters are being used to prove the very picture of early Christianity they claim to describe, and scholars fill the gap with house churches and so on. But the evidence is thin. There is no archaeological evidence for Christian house churches in the first or early second century, and once that is recognised, the Pauline letters cannot be used as a shortcut around the problem. They do not automatically prove the communities, scribes, money, copying, and long term preservation needed to explain how the letters were made and kept. They become part of the question.


So the problem is unavoidable, and the traditional timeline creates a dilemma. Either the communities the letters claim existed had the education, money, scribes, and stability needed to preserve carefully written Greek texts, in which case we have to ask why those same circles disappear by the time of the Gospels. Or they did not have those things, in which case we have to ask how the letters were written and preserved at all. And if the Jewish War is used to explain the disappearance of the people and places that supposedly kept these texts, then the question becomes even sharper: how did only the texts survive?


This is where the recent work of Professor Robyn Faith Walsh becomes useful. In The Origins of Early Christian Literature, Walsh questions the long-standing idea that the Synoptic gospels grew naturally out of oral traditions within small religious groups. She argues instead that "Mark", "Matthew", and "Luke" belong to the world of Roman literary culture after 70 CE.


That does not mean she identifies the authors as named aristocrats or ruling families. Her phrase "Roman literary elites" means educated writers trained in the literary habits of the empire, whether they were wealthy, modest, enslaved, freed, or attached to elite households. They were elite because of their education and training, not necessarily because of their birth.


Walsh's work places the gospels where the evidence already points: inside the wider world of imperial literature. Claims to eyewitness testimony, named places, miracle stories tied to places, and realistic speech were not signs that a text had escaped literature and become raw memory, they were tools trained writers used to make stories work.


Professor Patricia Rosenmeyer explores this in Ancient Epistolary Fictions, and shows that Greek and Roman writers were trained to make letters feel real, even when they were fictional, pseudonymous, or written as literary exercises. Everyday details about money, travel, disputes, work, named people, and local habits could be used to create the impression of authenticity. Those are exactly the kinds of details often treated as proof that a text must come directly from real events. But in ancient literary culture, realism was not the opposite of invention, it was one of the ways invention worked.


The same applies to the Jesus story itself. It draws heavily on the wider stock of Mediterranean myth and literature: divine sonship, miracle-working, mastery over nature, ritual meals, food miracles, prophecy, suffering, resurrection, divine approval, return, and the founding of a new sacred community. These story elements were not unique to early Christianity. They belonged to the shared imaginative world of the eastern Mediterranean, where Greek, Roman, Jewish, Egyptian, and Near Eastern traditions had long been mixing, competing, and being rewritten.


These are literary choices, not simply reports of a life. They arrange older story elements into a crafted story. Once that is recognised, the old idea that the texts are mainly the natural product of oral memory becomes much harder to sustain. Walsh puts the issue sharply when she says that treating all shared material in the gospels and Paul as oral tradition has encouraged faulty ideas about early Christian communities and their special status. Her conclusion is just as important:


if we treat the gospel authors as authors with artistic license, we must contend with the possibility that these are writers acting as writers. This means that it is possible, even likely, that a good portion of what we read when we read the gospels is invention or part of a broader literary tradition.

That is the real pressure point. Many scholars now accept that the gospels and Acts are carefully shaped literary works, not simple transcripts of communal memory. Some even describe the history of the early church in Acts as an invented tradition, including Greg Woolf, who writes on p. 294 in Rome An Empire’s Story:


The emergence of a greater concern with orthodoxy and discipline in later centuries produced highly edited accounts of the early Church. But the story they tell of a single set of teachings communicated and spread by a small corps of Apostles is a pious invention. So are many later accounts of second-and third century martyrs produced for congregations for whom persecution was receding into the past and who had much to gain from elevating the status of local saints.

In simple terms, Woolf is saying that the neat and orderly story later told about Christianity's beginnings is not how it actually started. The picture of a small group of apostles passing on a single, agreed message was put together afterwards, as the church became more organised and more concerned with discipline and authority. In the same way, many stories about early martyrs were shaped later.


The Missing Motive


This leaves a basic problem of motive. If the standard picture is right, we are being asked to imagine educated writers, trained in Greek literary culture, investing time, skill, and expensive resources in producing these texts for small, marginal groups with no obvious organised power, no clear means of preservation, and no certain social reward. That is not impossible, but it is not an explanation either.


Ancient writing, copying, and preservation cost money. If a text was worth copying again and again, someone had to think it was worth the effort. The conditions of the time point to production by educated elites, or at least support from people with elite resources. So why do the gospel texts themselves give us no clear sign of the people, money, scribes, libraries, patrons, or institutions that made their production and survival possible?


However one approaches the problem, motive remains the missing piece in most accounts of how Christianity began. If the gospels were meant simply as entertainment for their authors, they are remarkably elaborate works. It is hard to see why anyone would spend that much time, skill, and money producing them only for a non-elite minority cult. Belief may explain interest, but it does not explain the resources needed for preservation. If their authors sincerely believed what they wrote, we still have to ask why they leaned so heavily on stories and symbols drawn from much older traditions. What gap were they trying to fill that required familiar tales to be retold in a new form?


And if the first authors wrote these works for reflection or instruction, while later generations came to treat them as scripture, the deeper puzzle is why the copying and preservation continued. We might say that ordinary believers accepted the story on faith, but that still leaves a sharp divide between authors who knew how these stories were made and later hearers who were taught to treat them as history. Did the first educated readers not recognise how familiar many of the story elements were? Appeals to persecution do not resolve this difficulty. Scribes could copy what they were told to copy, and ordinary hearers could accept what they were taught. The harder question keeps coming back to the people who first created, sponsored, and protected these writings.


We therefore need to ask what these writings achieved for the people who first produced and protected them. Did they serve a community already strong enough to preserve literature? Did they serve patrons? Did they help organise memory after the Jewish War? (I have discussed elsewhere the sequential parallels between the gospel narratives and the account of the Jewish War, which make this question harder to avoid.) Did they present Roman victory as part of a divine plan? And if so, why would writers with no clear personal stake in Rome’s campaign, or Jews living in the aftermath of defeat, invest time, money, and effort in telling the story that way?


The history of the early church that later tradition gives us tends to smooth this problem away. It presents a movement already coherent enough to explain its own texts. But if that neat story is itself partly a later construction, then it cannot also be used as the evidence that explains how the texts were first produced, copied, and preserved.


Even so, the central figures are still often treated as if the literary frame can be peeled away to reveal a secure piece of history underneath. But that is not how historians normally handle ancient writing. When historians deal with stories produced inside a tradition, long after the events they describe, they do not treat them as reliable biography unless something outside the tradition supports them. This is where Tacitus and Josephus are usually brought into the discussion, because both are often used as outside confirmation for early Christianity. Tacitus was a Roman senator and historian writing in the early second century, while we are told Josephus was a Jewish historian writing under Roman patronage after the Jewish War. I have listed further reading on both at the end.


It is worth adding that, although Tacitus describes Nero as brutally punishing Christians after the Great Fire of Rome, Nero’s later reputation as a beast-like persecutor of Christians is shakier than many people assume. The British Library has made the same basic point: the monster Nero of popular imagination was built largely by later hostile writers, not by clear evidence from his own time. But the larger point remains the same: familiarity can make a story feel more secure than the evidence allows. A wandering preacher in Roman Judea may seem plausible, but plausibility is not the same as proof.


Who Kept Books Alive?


So the question remains. If these texts are carefully made books, shaped by planning, older story elements, trained techniques, and educated writers, the question returns: who had the means to produce them, keep them in circulation, preserve them, and make them matter?


If a text was written at length in Greek, copied, circulated, preserved, grouped with other texts, and eventually treated as authoritative, then we are no longer dealing only with memory. We are dealing with people and systems much higher up the social ladder, the ones that kept books alive. Somebody had to make copies. Somebody had to care which copies mattered. Somebody had to keep them safe, and pass them on. In the Roman Empire, that kind of work usually required access to educated circles with money, security, and connections. Later monks copied earlier manuscripts, but that only pushes the question back: who produced, selected, and preserved the copies that reached them?


Herculaneum scrolls
The charred scrolls of the Villa dei Papyri show ancient 'books' as fragile objects: preserved by accident, but only because they first belonged to a world that collected and stored them. (Credit: Ministero per i Beni e le Attivita Culturali)

This is the history of books before print.


The ancient world was not waiting for anyone with a good idea to become an author. It was a hard, expensive, status-bound world of handwritten texts. Most people lived and died without producing a line of literature. Many never owned a book, and many never needed one. Those who did write, copy, collect, and preserve books belonged to a much narrower world.


So when we read ancient texts, we should not assume that a surviving text was popular, or that circulation was open to everyone. Survival usually means support, publication usually means access, and access usually means power.


That is why the question "who could publish in the Roman Empire?" needs to be asked. It changes how we read the evidence. The Roman Empire did not merely conquer land. It controlled archives, libraries, education, language, patronage, and the public record of the past. Its elites did not depend on everyone reading and writing. They depended on a much smaller class of people who could write, copy, administer, persuade, and preserve.


That is the world from which our ancient texts come.

 


Further Reading


Adrian Nicholas Sherwin-White, The Letters of Pliny: A Historical and Social Commentary (Oxford: Clarendon Press, 1985 [1966]), p. 115.

William A. Johnson, “Pliny and the Construction of Reading Communities,” in Readers and Reading Culture in the High Roman Empire: A Study of Elite Communities (Oxford, 2010), pages 52–53.


On External Sources


Steve Mason, “Sources that Mention Jesus from Outside the Circles of Christ-Followers,” English original prepared for “Nichtchristliche Texte: Griechische, römische und syrische Quellen über Jesus” and “Jüdische Texte: Flavius Josephus,” in Jens Schröter and Christine Jacobi, with Lena Nogossek, eds., Jesus-Handbuch (Tübingen: Mohr Siebeck), pages 159-170.

Ronald Syme, Tacitus, vol. 1 (Oxford: Oxford University Press, 1958), pages 278-83.

Brent D. Shaw, “The Myth of the Neronian Persecution,” Journal of Roman Studies 105 (2015).

Brent D. Shaw, “Response to Christopher Jones: The Historicity of the Neronian Persecution,” New Testament Studies 64, no. 2 (2018).

 
 
 

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